| Keef Trouble | |
|---|---|
Keef Trouble accompanied by Jona Lewie. |
|
| Background information | |
| Birth name | Keith Trussell |
| Born | 13 September 1949 |
| Origin | Greenwich, London, England. |
| Genres | Rock, Pop, Blues. |
| Occupations | Singer, Songwriter. |
| Instruments | vocals Zob Stick (see Monkey stick) guitar. |
| Years active | 1968 - Present |
| Labels | UK: Sun House Records. |
| Associated acts | Terry Dactyl and the Dinosaurs Brett Marvin and the Thunderbolts Tony O'Malley (musician) Jona Lewie. |
| Website | Brett Marvin |
Keef Trouble (born Keith Trussell, 1949, Greenwich, London,) is an English composer, singer and musician.
Contents |
Trouble studied at The Slade School of Fine Art, London, from 1968 to 1972. He is a founding member of the still performing British country-blues band Brett Marvin and the Thunderbolts[1] as vocalist, guitarist, and player of the Zobstick, (also known as the Lagerphone or Monkey stick,) and electric ironing board. Commercial success came in 1972 under the guise of Terry Dactyl and the Dinosaurs with Seaside Shuffle with fellow band members Graham Hine, John Randall, and Jona Lewie (of Stop the Cavalry notability). This record became a hit in Europe and Australia, and reached #2 in the UK Singles Chart. Trouble is also part of the folk rock band The Okee Dokee Band, writing much of its original material. This band plays throughout West Sussex and Kent, and is a regular feature at the Broadstairs Folk Week.Broadstairs Folk Week - Home He has produced two albums of his own: Oasis and Kix 4 U, for Sun House Records. He has collaborated with Tony O'Malley TONY O'MALLEY - LIVING IN THE BUBBLE..., previously from the bands 10cc, Kokomo (band) and Arrival, recently writing the lyrics for O’Malley’s Mr. Operator and Naked Flame. O’Malley has also contributed to Trouble’s recordings, as have artists such as saxophonist Mel Collins, (Roxy Music, Rolling Stones, The Grease Band), guitarist Neil Hubbard, and vocalists Dyan Birch, Paddy McHugh, and Frank Collins. In 2008 Trouble produced the Brett Marvin and the Thunderbolts' album Keep on Moving. Co-producer and audio engineer of Keep on Moving was Pete Ker, another long-standing associate of Trouble, who produced The Motors, Man, and Arthur Brown (musician), co-writing Brown’s Fire.
Trouble’s association with Jona Lewie goes back to 1969 when they were both members of Terry Dactyl and the Dinosaurs. In 1986, the first recordings of Trouble’s compositions Oasis and Mix ‘n’ Mingle for the album Oasis took place at Lewie’s home studio in Streatham, with keyboard musician, arranger and composer Tony O’Malley, and guitarist Neil Hubbard; engineered by Pete Ker, producer for Arthur Brown and co-writer of Brown’s Fire. Trouble had secured a 45rpm single record deal with Rodd Buckle (Habana Music) for the release and distribution of Mix ‘n’ Mingle. Due to master tape release difficulties through financial disagreement caused at the Lewie studio, lateness in the production of the product caused the record deal to fall. Through the intercession of Tony O'Malley, who had co-composed Mix ‘n’ Mingle, and Neil Hubbard, the Lewie studio finally relinquished the tape of Mix ‘n’ Mingle, but not of Oasis. After the Lewie studio refusal to release Oasis, Ker re-recorded the song at a professional recording studio, Ferry Sound, for free.
For the lyrics and title for the Top 10 hit You'll Always Find Me in the Kitchen at Parties,[2] Lewie added a new story-line ending to the final verse: Done my time in the kitchen at parties.
'You'll Always Find Me in the Kitchen at Parties,' from Trouble's lyrics book
I’m no good at chatting up I always get rebuffed
Enough to drive a man to drink, I don’t do no washing up
I always leave the stuff piled up, piled up in the sink
But you’ll always find him in the kitchen at parties
You’ll always find him in the kitchen at parties.
Me and my girlfriend we argued, she ran away from home
She musta found somebody new, now I’m all alone
Living on my own, what am I supposed to do
You’ll always find me in the kitchen at parties.
I met this sexy thing, she laugh and talk with me
She was into French cuisine, but I aint no cor-don-blea
This was at some do in Palmer’s Green, I had no luck with her
You’ll always find me in the kitchen at parties.
In 2010, the Trussell/Lewie 'You'll Always Find Me in the Kitchen at Parties' was used by Ikea to advertise its kitchens. The advertisement was made by the Mother London advertising agency and featured the London group Man Like Me.
Although it is now an accepted, and probably the most commonly-used, name for this type of instrument, the ‘Zob Stick’ as a term has a definitive and recent origin. In the late 1960s Trouble built a percussion instrument that he used in his blues band Brett Marvin and the Thunderbolts. He invented a name for it: ‘Zob Stick;’ its use being termed ‘zobbing.’ It was largely based on the traditional folk music instruments the Monkey stick, ugly stick and the more commonly termed, Lagerphone (Australian.) After constructing his version of the instrument, the term ‘zob’ was used because of its risqué connotation as UK naval slang, this suggested by fellow Brett Marvin band member, and ex-seaman, Jim Pitts. The instrument caused amusement when it was introduced in performance in France, where ‘zob’ has a similar meaning.
The Trouble Zob Stick construction uses a pole that is covered with the usual partially nailed-in rattle-capable beer bottle caps. A circular solid wooden ring, edged with bottle caps, is added near the top of the pole, with a hand grip section beneath. All the wooden parts are brightly painted. At the bottom a boot, supported by an internal wooden block, is added, with a metal spring attached to the sole. The spring serves no musical purpose but has comedy potential. Half way up the pole is a sleeved-on metal tube for greater volume and a crisper percussive sound. The Zob Stick is rhythmically bounced on the floor and the metal sleeve hit with a wooden stick. The stick itself, (usually an adapted hockey stick because of its durability,) is serrated to achieve a scraping sound effect when necessary. Although the resultant construction is heavy, requiring strength for continual use, this weight gives it a volume and ‘clout’ that the traditional Monkey stick might not match, especially in a live and loud band situation.
A Keef Trouble / Malvern Hostick composition, ‘Hello Mum’ had been recorded professionally at Ferry Sound in the early 1990s under the pseudonym and subsequent stage-name ‘Dougie Damone.’ The recording was released in the UK and sold as a 7 inch vinyl single and greeting's card for Mother’s Day in 1992 under the CoverHit label, eventually featuring Trouble himself as Dougie Damone. In 2008 the song was revived and reproduced as a video.
Keef Trouble on London's Greater London Radio where he talked about his time with Brett Marvin and the Thunderbolts (April 14, 2002):
"It was blues singer Jo Ann Kelly, sadly no longer with us, who helped and encouraged the Bretts. We were all art students —still at school in '68, even before Ry Cooder got going properly!"
"Everything was 'Orange Bicycle' and 'Technicolor Yawn', so we became Brett Marvin and the Thunderbolts as a reaction against the prissy flower power movement."
"Quite incredible really, we ran the 'Blues Club' on Sunday afternoons at Studio 51 in Great Newport Street, London - the Rolling Stones had done it before and Jo-Ann handed it on to us. It was, of course, run by Pat and Vi —Ken Collier did the Jazz in the evenings."
"Howling Wolf came down one afternoon and jumped up to jam. Ronnie Watts and the Blues Federation had brought him over from the United States. I got him to autograph one of his albums — he signed his real name, Chester Burnett! Then he quizzed me, concerned about whether he'd received his rightful royalties or not. The giant bottle of whisky he was holding looked like one of those miniatures in his hands! He was 6 foot 7, you know!"
"By then, Jo-Ann Kelly had recommended us to London deejays Mike Raven and John Peel, who'd both played our album on national radio. We performed a live session for John Peel at the BBC, which brought our music to a far wider audience."
"We supported our hero, Son House, at Euston Town Hall in London — he sported the customary big bottle of whisky!"
"Arthur Big Boy Crudup played with us at Studio 51. He's the guy who wrote 'That's All Right (Mama),' Elvis Presley's first hit, and he played that song all night long! 'that's alright mama, that's alright for you......' Mind you, he musta been sixty-years-old, even then!"
"And Fred McDowell at the Bridge House near the Elephant and Castle, we backed him, too."
"The band signed up to Robert Stigwood's Agency in 1970 and toured the U.K. supporting Eric Clapton's Derek & the Dominoes."
"In 1972 the band scored a huge hit with 'Seaside Shuffle,' which got to No. 2 in the U.K. charts under the guise of Terry Dactyl and the Dinosaurs. In those days it was weird. Anything with a commercial edge was frowned on, so we went under different names, apart from when we played the blues."
This interview with further information about Keef Trouble and 'Oasis' found here.Keef Trouble | Oasis | CD Baby